Sensasional Sauvignon Blancs

A delicious lunch with friends in their garden with views to False Bay and resplendent with iceberg roses and giant hydrangeas, brought home the fact that our South African Sauvignon Blancs can age with grace and substance.

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Somewhat mature still Succulent Sauvignon Blanc

The line-up was heavy-weights such as Cederberg Ghost Corner, Klein Constantia, Oak Valley, Tokara and De Grendel from the stellar 2009 vintage which was an outstanding year for both red and white.

Tokara had crunchy New Zealand style fruit intensity while the Oak Valley was elegant with cool herbacious flavours, the Klein Constantia was rounded with underlying minerality. De Grendel showed lively, tangy lime and a creamy herbacious edge while the Ghost Corner still had its tensile mineral thread running through succulent fruit but its poise and depth made this the star of the show for me – it certainly could hold its own anywhere on the world stage.

Succulent 2004 Sauvignon Blanc from Sancerre Alphonse Mellot and Neil Ellis

2004 Sauvignon Blanc from Sancerre Alphonse Mellot and Neil Ellis

We also compared two wines from 2004 – the local Neil Ellis and Alphonse Mellot La Mousierre from Sancerre. The latter was mellow with honeyed herb and  tarte tatin flavours while the Neil Ellis was deep, intriguing and lively with many years ahead of it. The Sancerre, although a satisfying mouthfull, has peaked and was enjoyed at the right moment.

Handsome Hungarians

Wines from Heimann Winery in Szekszárd in Hungary

On a recent trip to taste on a panel  for the Berliner Wein Trophy,  I visited the city for the first time and found it, vibrant, affordable and, amongst other things, home to some wonderful classical music.

I have long been a admirer of Hungarian wines and although my panel tasted wines from Portugal, Spain and others I was thrilled to have the opportunity to taste two delicious reds from the Szekszárd  wine growing region which, along with Villany and the Eger, produces  the best red wines in Hungary and lies about 2 hours south of Budapest.

Budapest

View of mighty Danube flowing through Budapest

We tasted the Kadarka 2012 and Birtokbor 2011 from the Heimann Family Estate. This is one of the most highly regarded family wineries of Hungary making  a range of quality wines.  They receive accolades from international publications such as the 2014 Gault-Millau Guide for Hungary, which awarded them  4 bunches. The young Heimann poured these two red  wines with pride, showing off their potential to the international palates gathering  around the table

Kadarka Grapes

Kadarka Grapes

Kadarka is known to be a fussy variety but certainly worth the trouble. Although it is not the most planted grape, it is the flagship of the region which also grows the ‘Bordeaux varieties’ like Cabernet Sauvignon, Cabernet Franc and Merlot as well as Kékfrankos, Pinot Noir and Zweigelt.  Kadarka adds class and spice to the ‘Bull’s Blood of Szekszárd’ (Szekszárdi Bikavér) which is pivotal to this southern expression of the renowned  Bull’s Blood of Eger

2012 Heimann Kadarka Szekszárd, Hungary

Light purple/ruby glow;  the nose is brimming with wild berries, raspberry, violets, undergrowth and cedary spice, good concentration and substance despite its youth and light appearance; Lovely silky texture and well balanced acidity gives lift and freshness to the fruit – considering its youth the wine has tremendous character and presence and will certainly develop well for a few more years. An appealing style for those looking for refreshment and intrigue.

2011 Heimann “Birtokbor” Red Blend Szekszárd, Hungary

Deep garnet with an opaque centre; good depth with rich black cherry and minty dark chocolate tones, while well-handled oak supports the smooth tannins giving nice savoury backbone to the sweet fruitiness. The wine is mainly aged in large oak vats giving seamless integration. A characterful blend of Cabernet Franc, Merlot, Kékfrankos (Blaufränkisch in Hungarian) some Syrah.

Franz Liszt

Franz Liszt

The red wines from Szekszárd is said to have inspired famous musicians such as Schubert and Franz Liszt making the world a happier place. His famous quote below surely encompasses wine.

“Broad paths are open to every endeavour, and a sympathetic recognition is assured to every one who consecrates his art to the divine service of a conviction of a consciousness” Franz Liszt

Chateau d’Yquem

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1987 D’ Yquem

In 1993 on an extensive visit to some of the most legendary and iconic wineries of Europe I visited Chateau d’Yquem in Sauterne and bought some of the 1987 vintage which has slowly been maturing, waiting for the perfect moment to be enjoyed. The wine certainly honored expectation and the 26 years of patience.Yquem Label

Chateau d’Yquem is a legendary Premier Cru Supérieur or Superior First Growth wine from the Sauternes in the southern part of Bordeaux. In the Official Bordeaux Classification of 1855, it was the only Sauternes given this rating to recognize its superior standing amongst its peers.  It is known for its longevity, unique taste, ancestry and high prices but ultimately it is the essence of the alchemy between the grape and the magic woven by the threadlike mycelium of the little fungus called Botrytis cinerea, or noble rot. Although understood by science, analysis of the unique flavours created very slowly first in the vineyard, then in the cellar and ultimately in the bottle remains illusive. It unfolds its secrets to those who take the time to listen and experience its wonder.

Vineyard at Yquem

Chateau d’Yquem and Vineyard

Botrytis Cinerea on the Bunch

Botrytis Cinerea on the Bunch

It takes a strong mind to leave your grapes on the vine until they turn into disgusting-looking, mouldy raisins by alternate climatic heat and misty dampness synchronized to create the afore-mentioned fungus. The grapes will all ‘rot’ on the bunch at different rates, so pickers have to pick berry by berry with little scissors into a little wooden basket and might need to comb the vineyard up to 10 times.  The yield from these dessicated grapes will be a small fraction of that yielded by healthy red or white berries, therefore only about 20 or so top ranking properties can afford the luxury of producing top quality of this sweet nectar every vintage. They might produce only tiny quantities or in some years nothing at all.

Fifty Shades of YquemFine Sauterne has an unctuous richness with honey, crème brulée and a mélange of glace pineapple, ginger, butterscotch and floral flavours with a counterbalance of freshness which lifts the concentration and sweetness and prevents overly heaviness. This combination gives these wines, from good years, almost eternal life. Fruity tones fade into delicious secondary and tertiary flavours with age, reminiscent of a faded silk tapestry of great beauty and lustre.

Old d'Yquem

Bottled in 1787

In July 2011, an 1811 bottle of Château d’Yquem sold for £75,000 ($117,000) at the Ritz in London to a private collector, Christian Vanneque, to become the most expensive bottle of white wine ever sold.

The Chateau d’Yquem vineyard consists of 126 hectares in the Sauternes appellation, though only 100 hectares are in production at any time and plantings consist of 80% Sémillon and 20% Sauvignon blanc. The proportions are close to equal in the final wine because of the greater crop from the Sauvignon Blanc.

The château was run by Comte Alexandre de Lur-Saluces, after the death of the Marquis Bernard de Lur-Saluces in 1968. He ran it as a family property until 1996. Sadly a family feud ended the family tenure when some members sold 55% to the French luxury goods LVMH Moët Hennessy – Louis Vuitton paid about $100 million. The Comte remained until 17 May 2004, when he retired and was replaced by the well-respected, current managing director of Château Cheval Blanc, Pierre Lurton.

Yquem Cellar

Perfect maturation in d’Yquem Cellar

The grapes are pressed three times and transferred to oak barrels to ferment and mature for a period of about three years. In some poor vintages no d’Yquem is bottled – this happened nine times in the 20th century: 1910, 1915, 1930, 1951, 1952, 1964, 1972, 1974, and 1992 and in the 21st century one time: 2012.

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The empty vessel

Younger Sauterne should be chilled to around 6 ºC and older wines can be served warmer at around 10 to 11ºC. The 1987 was a very good – if not spectacular – year and the wine had acquired the deep amber glow of burnished copper. It glugged lazily into the glass and the enticing nose of toasted nuts, vanilla cream and soft orange marmalade followed through to the palate. The silky, mouthfilling essence glided over the tongue reminiscent of melting butter and honey with complex flavours of glace apricot, pineapple, peach, smoky sandalwood and praline lingering for an eternity. Full-bodied, unctuous with perfectly balanced acidity giving wings to the complexity. It lingered dreamily, unfolding still more treasures, finishing seamlessly with perfect precision.

DÝquem 1945

Sips and Snips from Prague Tastings

Summer in Prague is a riot for the senses with music, art, theatre and of course wine and food. I have had the pleasure of tasting on several tasting panels namely Vinař Roku – which picks the Winemaker of the Year 2013, Vinorevue and then also Vinum Gradecense in Hradec Kralové.

The eight finalists for Vinař Roku were Milan Sůkal New Poddvorov, Mikrosvín Mikulov, Proqin Great Němčice, Josef Valihrach Krumvíř, New Winery Drnholec, Znovín Znojmo, Mikulov Tanzberg and Winery Volařík Mikulov.The new holder of the trophy for Macro Vinaře 2013 is Winery Valhirach with Winery Proqin and Mikros wine Mikulov as runners up.

The best collection of five samples is evaluated for the final. All finalists being selected then choose a sixth wine, which is added to the final collection. These wines are then tasted by the international jury consisting of four Masters of Wine, one Cape Wine Master and four excellent local wine tasters. Results were announced at a big gala at Žofín in Prague.

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For Vinorevue I tasted some Champagnes with my top scores going to Charles Gardet from Ay, Francois Bedel and Brut Saphir Louis Barthé NV. I really liked the Tribaut Brut Nature with its clean fresh taste. Overall the quality if the entries were very good in this flight. Scores of 90 and more give a wine the distinction of a Prague Premium Gold.

The four Chenin Blancs from South Africa were not representative of the best the country can do and the entry of a rather tired 2007 did not do the variety any justice. We hope this category will grow.

We tasted 48 Cabernet Sauvignons from all over the world and my top scores were all at 92 points for Vina Errazuruz Max Reserva 2010 from Chile, Xanadu Next of Kin 2008 from Victoria Australia – which I called a modern classic and then Vina Carmen Winemakers Reserve Bon Vivant 2007, Maipo Valley, Chile. Other wines I liked were Mas Daumas Gassac 2011 from France, Villa Mount Eden 2007, California and Francis Ford Coppula Directors 2010 , California. Gerard Bertrand Cigalus Rouge 2009, IGP Pays Herault, Lanquedoc and Bisquertt Family Vineyards 2009, Colchagua, Chile.

The Shiraz flight of 37 wines had some stunners amongst them but I was disappointed with the South African entries which except for the Rijks did not show well. My best wine scored 94 for the Errazuriz Max Reserva 2009 which was stellar and in descending order Vylyan Villanyi 2009 from Hungary, Salomon Shiraz & Co. BAAN 2010, South Australia, Vina Carmen Reserva 2009, Mt. Langhi Ghiran 2009, Australia, Cote-Rotie GAEC Francois et Fils 2011 and finally Markus Schneider 2008, Phalz Germany which all scored 89 and above.

Last but not least was a flight of 25 Nebbiolo’s from the north of Italy.  I had one score of 79 and the rest were an absolute joy to behold with my highest score a 93 for the Renato Ratti Marcenasco 2007. The wine had all the attributes of great Barolo with the seductive perfume of violet and roses underpinned with the savoury, tarry undertones of fennel, liquorice and spice. Paruso Bussia scored 91 and other top scores went to Paruso Langhe 2008, Pora Reserva 2007, Mauro Molino Gallinoto 2009, Rivetta Barolo del Commune Serra Lunga d’Alba 2009, Sigidun Sassa 2007 and Rivetto Leon Riserva 2006.

PLAKAT_A2Vinum Gradecense in Hradec Kralové was a smoothly run event and I chaired a very professional panel of 4 Czech tasters, Aleš Sokolík, Parla Burcšova, Martin Smíd and Sarka Hůrkova. We tasted classic method sparkling and champagne as well as the international white wine entries.

It is held under the auspices of the Mayor of the city of Hradec Králové and was held at the Congress Hall Hotel Černigov for the 7th time under the direction of Mr. George Čábelka, President of the Guild of Czech winemakers.

My best wine was the Stoneburn Sauvignon Blanc 2012 from Hunters Estate in new Zealand. The Zamecké Vinařstí Bzenec Chardonnay 2011, Proqin Vinařství Rulanské Modré (Pinot Noir) 2011 – the Kassimex SRO “Sole” Chardonnay 2012 from Romania, was a real surprise to me – all performed very well. The ”Sole” is the pinnicle of white wines from Cramele Recas, a large winery in the Banat region of Romania. The Chardonnay is hand picked from the best single vineyard sites and made in local Barriques from Transylvania. The packaging is restrained yet elegant. Vinařství Josef Dufek’s Chardonnay  and Janoušek winery’s delicious Riesling 2011 made the top 10 as well as the Bernard Remy Grand Cru Champagne, which I placed 2nd in our final tasting of the top 10.

Tastings such as these make one appreciate the dedication and passion that goes into wines the world over and it is always a joy to discover something utterly delectable in a line-up. Sadly the single most encountered cause of problem wines in these competitions is winery hygiene. I am not referring here to wine cork problems which still sadly plagues even the best of wines. One accepts the big influence vintage has on wine quality in many regions but taking meticulous care of cleanliness in the cellar and during bottling, is a quality requirement which is not negotiable and should not be the cause why wines fail to reach their full potential.

Pinot Noir Minx or Maiden

Yering Station 2008

Yering Station 2008

On a recent tasting panel for Vinorevue in Prague we tasted 80 Pinot Noirs from all over the world in 4 flights. It was a pleasure to see how diverse the origin of some of the top wines was.

Pinot Noir is not an easy traveller and settles with great reluctance into new territory. To complicate matters further it also presents some other characteristic challenges. It is very prone to mutate – as in the browny-pink skinned Pinot Gris and the pale green-skinned Pinot Blanc. This variability results in wines of very different character being produced from different clones – much more so than in some other varieties. The thin-skinned bunches rot easily in damp, rainy conditions and excessive heat during ripening can result in simplistic, jammy wines.

Corton CLos du Roi, Burgundy

Corton CLos du Roi, Burgundy

The essence of Pinot Noir can be found in its lively fruit, an expression of place and alluring charm rather than in a blockbuster garb with over-extraction, robust tannins and excessive use of new oak hiding its perfumed finesse. It translates the vineyard site with more clarity than many other varieties and adjacent vineyards can produce radically different wines despite similar love and attention.

Even though the greatest examples may not have the longevity of the grandest wines from Bordeaux the top wines can be majestic and profound and I have had the privilege to try some wonderful sixty to eighty year old bottles. The greatest wines are still produced in Burgundy although there are some strong contenders. Some of these vinous treasures come from the Grand Crus of the Côte d’Or, the legendary wines around Vosne-Romanée such as Romanée-Conti, La Tache and Richebourg and those on the hill of Corton – to name a few. Some village burgundy can be delicious at four to five years old, while at Premier Cru level they should drink well from six to ten years if well stored.

Some Burgundies

Some Burgundies

The siren call of this minx of a grape has lured and

enthralled many an unsuspecting wine lover and wine maker into an irresistible desire to drink the best or make the best Pinot Noir despite the odds against either finding or making it. Small plantings can now be found throughout Europe and far beyond – occasionally causing elation and often frustration. Germany, Switzerland, Austria and to a lesser degree Czech Republic has embraced it and the wines we tasted showed increased skill in the vineyard and cellar. Vintages can show big variation and the search for the holy grail continues.

The Californians are doing very well with big, juicy and bold Pinots made in the cool Russian River Valley, a more delicate style coming from Carneros and some fine examples from the Central Coast between Monterey and Santa Barbara, where Richard Sanford was a pioneer and proved it could ripen reliably year after year.

Juris Pinot Noir, Austria

Juris Pinot Noir, Austria

Some of the cooler, coastal areas in Australia such as Geelong, Yarra Valley and the Mornington Peninsula in Victoria have been somewhat successful but New Zealand has really taken the grape to heart with Martinborough/Wairarapa near Wellington on the North Island long established. South Island has produced some very credible wines but the rising star has been the Central Otago region, in the southern part of the South Island, with some truly delicious wines emerging. This may well prove to be region that could make something truly profound.

Geil Pinot Noir from Germany

Geil Pinot Noir from Germany

Wines I gave and 90 and more were – Yering Station, Yarra Valley, Australia; Villa Mount Eden, Russian River Valley, California; Francis Ford Coppola Director’s Cut, Sonoma, California;  La Crema, Monterey;  Cambria Julia’s Vineyard, Santa Maria Valley, California; Errazuriz, Aconcagua Valley, Chile; Castel Sallegg South Tirol/Alto Adige, Italy; Geil Spatburgunder, Bechtheimer, Germany; Juris Burgenland, Austria; Corton Clos du Roi Grand Cru, Burgundy, France; Domaine Jean Grivot, Nuit-St-George Premier Cru “Aux Boudots”, Burgundy, France;

David Černý – Witty and Controvertial Art in Prague

St Wenceslas sitting on his dead Horse

Prague is well-known for its ancient history and art but one of its brilliant living artists, David Černý, leaves his imprint across the city with his witty and often controvertial, sculptures. Born in Prague in December 1967, he proclaims that art is not a “chair’’ but should be provocative and have a deeper message.

Something I always return to is the horse sculpture hanging in the central atrium of Lucerna Palace, close to Wenceslas Square in Prague. Černý’s 1999 “Horse” depicts Saint Wenceslas (Václav) on an upside-down dead horse.  This is an ironic twist referring to the legendary Czech patron saint who was assassinated in 935. The heroic Saint Wenceslas sits proudly, upright on his horse in the statue on Wenceslas Square, just around the corner from the Černý creation. It caused an uproar locally, as it was seen by many as being disrespectful and poking fun at a rather saintly part of Czech heritage!

 Žižkov TV Tower with Babies crawling up

Žižkov TV Tower with Babies crawling up

Looking across Prague from any vantage point, one of the most visible installations is the alien-looking creatures called the “Tower Babies”, made from black fiberglass, which is crawling up the sides of the Žižkov TV Tower. The tower came about in 2000 when Prague was a Cultural Capital of Europe and the artist was asked to create a temporary project in celebration of the occasion. These mutant creatures were first exhibited in 1994 at the Chicago Museum of Modern Art and in various other locations, they came back ‘’home’’ and were so much loved by the public that they remain in perpetuity, crawling up – and giving character to the rather ugly tower jutting a hundred meters or so into the Prague skyline.

Bronze Babies in Kampa Park

Bronze Babies in Kampa Park

Walking through Kampa Park on the bank of the Vltava river, three similar, giant bronze babies are crawling next to the Museum Kampa entrance. At closer inspection they have imploded slot-machine –like faces and their cuddly bottoms are polished by thousands of tousists’ caressing and climbing over them.

A piece that never ceases to entertain, creating much hilarity amongst tourists and passers-by, is the two naked, bronze male sculptures peeing into a pool of water, shaped like the Czech Republic, near the entrance to the Kafka Museum in Hergetova Cihelna. They constantly swivel the upper part of their bodies, while the penis goes up and down, writing quotes by famous Prague residents in the water with their pee. Next to the statue is a number that will accept SMS messages which the two pissing men will then spell in the water, later reverting to their normal sequence.

Taking the Piss

Taking the Piss

Another View

Another View

They constantly swivel the upper part of their bodies, while the penis goes up and down, writing quotes by famous Prague residents in the water with their pee. Next to the statue is a number that will accept SMS messages which the two pissing men will then spell in the water, later reverting to their normal sequence.

Futura, is a contemporary, free art space at Holeckova 49 in Smichov, which hosts the permanent  Černý  installation called, “Brownnosers”. It is a rabbit warren of passages with some interesting exhibits, but walk to the tiny garden at the back. There two giant, well-shaped pairs of legs are bent over with their bodies moulded into the wall, dominating  the small enclosed space, but strangely at home next to the organic shapes of the large trees and other plants.David-Cerny-installation

A ladder encourages viewers to climb up to stare into the fibreglass arse.  Inside is a video of the artist’s  favourite adversary President Klaus and the Head of the National Gallery spoon-feeding each other something indescribable to the heroic soundtrack of Queen’s “We Are The Champions”.  This displays Černý’s well-known displeasure with what he considers to be the bungling, money-grabbing politicians running the democracy after the Velvet Revolution, thereby not improving the lives of ordinary Czech people. (Image credit: davidcerny.cz)

Hanging Man, Prague

Hanging Man, Prague

In the late 90’s he created Sigmund Freud as the “Hanging Man”, hanging for dear life onto a protruding roof truss. This ambiguous statement could refer to man’s helplessness against modern society and just hanging on in dispare –  or it could refer to a ”just in time” rescue attempt with the possibility of clawing a way back onto the relative safety of the roof– who knows?  Displayed in cities around the world, it had the rescue squads out on occasion!

The few pieces discussed here represents some of this talented artist’s work with many more hiding around the corner in unexpected places and stances. They add spice and thought to the magic that is Prague. Do search them out!

Charles Bridge  qnd a lonely Swan from Kampa Park

Charles Bridge and a lonely Swan from Kampa Park

South African Rose Revolution

Mountain Reflection

Mountain Reflection

With the popular success of rosé wines in markets around the world, many local producers have added pink wines to their portfolios and despite the frivolous image of the category, real grown-up wines with a sense of identity are emerging. Serious wines but never to be taken too seriously.

Farm Dam at Dusk

Farm Dam at Dusk

Europe has understood the value of rose for years – especially in Provence – where the pale, dry and subtly herby wines compliment the local dishes to perfection.  In the early 70’s California took the new world’s first significant step into the pink when they released white zinfandel which became a run-away success.

Pinks are losing their seasonality and are now enjoyed year round. Our local offering has increased from around 40 in the early eighties to almost 400 currently – if one adds Blanc de Noir – testament to its popularity.

Although white varieties with a smidgen of red can make delicious rose, reds are more often used, sometimes with a splash of aromatic white added to lift the spirits. Two production methods are mainly used. Firstly the juice is macerated with crushed, dark grapes for 30 minutes up to 24 hours to obtain the desired hue. The must is drawn off and treated as a white wine. This method allows the winemaker to make picking decisions specifically for rose. Colour can range from pale salmon to iridescent pink and although there is no ‘’incorrect’’ colour, deeper colour is often perceived by consumers as sweeter than lightly tinged wines, which is not necessarily true.

The saignée technique, or bleeding the juice off fermenting red grape must, results in intensified colour and flavour as well as lower alcohol potential in the remaining must. Less used techniques are the mixing of red and white wine or removing colour with charcoal from red wine. Irrespective of technique or style, perfect pink pleasure remains the purpose!

Pouring a glass of Rosé

Pouring a glass of Rosé

Pulpit Rock Brink Family Pinotage Rosé 2012

The top honours in the tasting goes to the Pulpit Rock Brink Family Pinotage Rosé 2012 with a 4,5 star rating. The entire Brink family is involved at this low-key Riebeeck Valley winery and they have  quietly been getting on with quality since their first harvest in 2004. Pinotage has proven to be a star.  They have received Pinotage Top Ten nominations in 2006 and again in 2007. This delicately pink winner once more displays the fruit quality of their Pinotage, which shines through without the cosmetic assistance of oak or sweetness.

It is a multi-layered mouthful with succulent red berry fruit and savoury rooibos tea underpinned with deeper tones of herby minerality and a succulent finish.

The vineyards of Pulpit Rock nestles along the foothills of the Kasteelberg Mountain with the landmark rock formation of similar name towering above. The dream of making their own wine started with Grandpa Brink in 1918 and eventually came to fruition when the younger generation Haumann and Van der Byl finished their education at Stellenbosch with a Diploma in Cellar Technology from Elsenburg and a B.Comm degree respectively. The family’s five decades of farming in the Swartland gave them in-depth knowledge of the terroir and potential of the land. Vineyards were established on two farms, namely De Gift, where the winery is situated, and Panorama with mainly red varieties planted. Pinotage tops the list with 90 hectares while Chenin Blanc and Chardonnay shine the light for whites with 110 and 50 hectares respectively.

A specific block of Pinotage, planted on granite-based Hutton soil, has been identified for the rose. The terroir contributes minerality and tight structure to the grapes. The North-East aspect can be hot but canopies are carefully managed to prevent sunburn and drip irrigation delivers moisture directly where it is needed. Drought has plagued the Swartland for a few vintages and the 2012 was again marked by very little rain, but the farm is blessed with good water supply enabling stress free vines.

The state of the art cellar with a 3000 ton capacity receives the harvest but traditional techniques are respected and used in combination with the latest technology. Before picking, grapes are tasted regularly for flavour development and the Pinotage for the rosé is hand-picked at 23 degrees Balling in the cool of the day to retain freshness. About 30 minutes of skin contact is allowed. The wine is fermented cool at 13 – 14 degrees Celsius with a yeast traditionally used for Chenin Blanc.  When fermentation is completed, it is promptly taken off the lees and then left on Chenin Blanc lees for two months, which rounds the edges and adds complexity.

The 2012 vintage was cellar master, Riaan van der Spuy’s first vintage on the farm. He gained experience in several countries and made wine in Uruguay for the last 6 years. In conversation it is clear to see that wine making is not only a job but a passion. Each batch of grapes arriving in the cellar is treated on its own merits and he likes to let the aroma, colour and taste determine the path to the best possible wine in the bottle. Judging by the delicious results, he clearly listens well.

Amani Poppy Blush Rosé 2011

Amani means ‘peace’ in in Swahili but that belies all the activity on this boutique farm. Lynde and Rusty Myers have owned the 38 hectare farm since 1997 and their holistic approach to nature and production as well as an ongoing quest for higher quality has built their reputation. The farm is situated on the slope of the tallest hills West of Stellenbosch. Polkadraai Hills not only afford breathtaking views but the vineyards also catch the beneficial cooling ocean breezes off False Bay and the Atlantic to the West.

A strong team supports Carmen Stevens who has been cellar master at Amani since 2005. Her skill and dedication is well respected in the industry. She believes it is important to experiment and evolve as winemaker and her wines have drawn well-deserved attention and awards internationally and on home ground.

Much attention is lavished on the vineyards which  are planted on sandstone based soils with vineyard practices moving ever closer to organic and biodynamic principles.  Crop levels are closely monitored and excess grapes removed early to encourage better flavour intensity. Leaf moisture potential is measured to ensure the correct watering regime. To keep the crops safe from marauding birds a clever bird scaring device, called the Eagle Eye, does exactly that without harm to the birds but safeguards ripening grapes with a reflective rotating pyramid. When harvest approaches aerial infra-red photography is used to determine vigour levels in each block. Every block is then harvested three times at different levels. These are kept separate throughout fermentation and early maturation.

For the attention grabbing rose, Shiraz grapes are hand-picked at 25 degrees Balling. The free-run juice is obtained by the saignée method, leaving the juice in contact with skins for no more than an hour. The must is inoculated and fermentation temperature kept below 15 degrees Celsius to ensure retention of fruit flavours.  Every year the rose is a perfect vinous picture of the vintage.  Fermentation is left to finish naturally and the wine then sterile filtered. The result might end up with a lower alcohol and higher sugar or vice versa than in previous years as no adjustments are made. A dash of Viognier adds panache and subtle fragrance and is blended in at the final stage. A vibrant cranberry pink, the wine is unctuous with underlying lime and fennel creating balance. The name refers to the red poppies planted between the vines every second year in rememberance of the owners late son, Forest Myers.

Bush Vine Vinezard in the Swartland

Bush Vine Vinezard in the Swartland

Darling Cellars Classic Range Merlot Rosé 2012

Darling Cellars has long been recognized as an excellent source of quality wines at affordable prices and their philosophy is well expressed by cellar master Abe Beukes when he says, “What nature gives us each year, we try and get into the bottle with passion and honour.”  He has led the team for many years but is now stepping into the role as consultant with globe trotter, Alastair Rimmer, taking over as cellar master from 2013. His tenure has put the focus on the expression of terroir, bright fruit and impeccable quality.  The four star Merlot Rose from their Classic range is testament to that vision with its lively pomegranate colour and bright summer-berry flavours, delivering crisp, refreshing drinking pleasure.

Although Darling lies within the Swartland, the demarcation of Wine of Origin Darling in 2003 recognised the unique terroir of the area. The low lying hills face North East and South West with some vineyards no more than six kilometers from the Atlantic Ocean. The cold Benguela current flows along the West Coast, influencing temperatures downwards up to 5 degrees Celsius compared to inland areas with night time temperatures significantly lower those in the day. This slows ripening and preserves acidity and fruit.

The dry land vineyards are planted with gnarled bush vines up to fifty years old. With their penetrating root systems, bush vines can reach deeply buried nutrients and are able to successfully withstand the often harsh summer conditions in the area. They are also able to regulate their crop according to available water supply and therefore deliver fruit with good concentration and natural balance. Crop levels are low, between 6 – 8 tons per hectare.

The Merlot was picked specifically for the rosé with the first grapes harvested at 21 degrees balling to retain crisp acidity and the second picking at 23 degrees to capture riper fruit flavours. Juice is macerated for 2 – 3 hours and racked from the skins. Fermentation is cool and slow, retaining maximum fruit flavours.

This is a wine for sipping on the beach at sunset with a loved one by your side.

Dieu Donné Rosé 2011

High above the village of Franschhoek lie Dieu Donné Vineyards, hugging the steep south-western slopes of the Franschhoek mountains. The name means “God Given” and standing at the winery enjoying the spectacular view, one feels indeed celestial. The farm was established in the early 80’s and changed hands in 1987 when French-Mauritian, Robert Maingard, bought it, feeling a connection to his French ancestry in the Valley. Realising the potential of this heavenly place, he immediately started an extensive replanting program which is now paying dividends with award winning wines. Central to the winery’s logo is the Croix de Lorraine – a double barred cross with origins in Constantinople and thereafter France– said to symbolize the spirit of non-conformity which also finds expression in the philosophy and wines made here.

Franschhoek Valley

Franschhoek Valley

The hand-picked team has worked together for some time with Hennie du Toit, who grew up on the farm, looking after the vineyards. Cellar master, Stephan du Toit, is one of only a few winemakers who also have the Cape Wine Master’s title. He has worked and travelled widely with experience gained at high profile wineries such as Chateau Margaux in Bordeaux and Simi Winery in California. His four star rose is a blend of mainly Chardonnay with Sauvignon Blanc and Merlot and has a joyful abundance of candied strawberries and fynbos with a good balance between the sweetness and acidity.

The Chardonnay and Sauvignon Blanc vineyards used for the rose are trellised and planted very high-  at 450 to 500 meters – on steep, south west facing slopes. The weathered granite with rocky topsoil, called Greywack, is only found in this corner of the valley and encourages naturally balanced vines with low vigour and crop levels. The elevation ensures slow, cool ripening which in turn preserves higher natural acidity in the grapes.  No irrigation is used which further concentrate flavour and the imprint of terroir.

Grapes are harvested just ripe in the cool mornings, early in February, to ensuring freshness.  The white components are kept away from oxidation by a blanket of CO2 and dry ice. The Merlot remains on the skins for no more than 24 hours and contributes colour and red berry succulence to the blend. Sipping this perfect pink somehow brings a sense of the invigorating mountain air, in which it was created, to wherever you are. Is that not one of the great joys of wine?

Jordan Chameleon Rosé 2012

With the experience of 20 vintages on the farm, husband-and-wife winemaking team, Gary and Kathy Jordan continue to rake in accolades and awards and 2012 in particular, was a spectacularly successful year. Their passion and focus is an inspiration to many and their initiatives such Kathy’s Women in Wine Initiative – a program to sponsor and mentor women in the Wine Industry – is much welcomed.

With Gary’s background in geology the vineyards have been developed in tune with their terroir. The 146 hectare Stellenbosch farm is uniquely situated, partly tucked high up into a valley, with aspects in all possible directions. Vineyards are planted between 160 and 410 meters above sea level with white varietals doing well on cooler south- and east facing slopes, and the reds on warmer north and west-facing slopes. The maritime influence of both Indian and Atlantic oceans help to moderate high summer temperatures. Canopies are managed with care to ensure balance between leaf cover and crop and water stress is managed with drip irrigation directly to the roots of the vine ensuring good flavour development. Gary explains that it is important for them to control every aspect of their winemaking from the soil to the bottle, ensuring that their wines have a definite sense of place and is recognisably Jordan. With their two restaurant ventures, Jardin’s on the farm and High Timber in London, they have successfully extended the Jordan experience to the most important end consumer.

A Rosé was first added to the portfolio in 2007 with the vision to produce a serious, dry wine with classic elegance and personality. Grapes are harvested specifically for the production of the rose and come from 10 year old Merlot and Shiraz vines. Vineyards are managed to encourage lower alcohol levels, good fruit concentration and excellent balance. Each variety is picked at the perfect moment for ripeness and flavour. The grapes are destemmed, crushed and given a couple of hours maceration in the press whereafter the normal process for white wine is followed. The result is a cherry pink 4 star stunner with elegant balance, filled with enough flavour and attitude to partner superbly with Asian food, duck dishes.

The Chameleon range of wines was inspired by the Cape Dwarf Chameleon, protected for many years on the farm. Their habitat is the indigenous vegetation around the vineyards.  An African legend attributes magical powers to these little creatures. Sipping a glass of rose on the terrace at the restaurant, enjoying the panoramic view, one can believe it is true.

Solms-Delta Lekkerwijn Rosé 2011

Protea in the Vineyard

Protea in the Vineyard

A name could seldom be as fitting as that of the rosé from Solms-Delta, because it is indeed a ‘lekker wyn’ or lovely wine.  The name of the farm adjoining Delta is also Lekkerwijn and that has a historic origin in the early days of the Cape. The property was granted to Henri l’Ecrévent in 1690 and the locals were unable to get their tongues around his name. They solved the problem by calling him Arie Lekkerwijn. He was killed nine years later by the first owner of Delta who disappeared without trace after that.

Solms-Delta Lekkerwijn

Solms-Delta Lekkerwijn

Things are still done differently – although not violently – on this farm bought by Mark Solms in 2002. He was born South African but became a citizen of the world as professor of Neuropsycology and is currently professor in the same subject at Cape Town University as well as posts held in London and New York. When he returned to South Africa he had a dream of producing wine and convinced a friend, Richard Astor, to buy one of the neighbouring farms. He created the Wijn de Caab Trust which is sustained by a profit share in Solms-Delta and together they mortgaged the two farms to buy the third farm which is home to the workers and their families enabling them to play an active role in shaping a future to the benefit of all.  Together the three farms form a 76 hectare estate which is managed jointly. Exciting initiatives such as the Rural Cape Music Project and the social history Museum on the farm contributes valuable research and development.

Before any planting took place comprehensive scientific appraisal of site-specific soil and climate data was collected on the farm.  With the data and viticulturists confirming his instincts, mainly Rhone varieties were planted on the farm namely Shiraz, Mourvedré, Grenache and Viognier. Rosa Kruger is presently the viticulture consultant. This law professional turned viticulturist is working closely with the team at Solm-Delta to get the best grapes to the winery and is also studying the terroir of the farm closely to assess the appropriateness of the varieties under cultivation.

The Lekkerwijn Rosé is dry and oak matured for 12 months in seasoned French oak with the lees constantly stirred to enhance colour and body. The Mourvedré, Grenache and Viognier is melded into seemless sophistication by the skillful oak treatment, which adds no overt flavour, but lures you into a shimmering pink trap of deliciousness.

Vino Nobile di Montepulciano DOCG – Royalty Revisited

Ancient Montepulciano Town Entrance

Ancient Montepulciano Town Entrance

THE NOBLE WINES OF MONTEPULCIANO DOCG

A visit to the  ancient hill-top town of Montepulciano  was a delightful re-acquaintance with the food, wines and people. The town lies 120 km south east of Florence and exclusively makes the noble wines of Montepulciano, first mentioned 2000 years ago in The History of Rome and also by the poet Francesco Redi in 1685 as the “King of all Wines.”  Vino Nobile di Montepulciano is made from a special clone of Sangiovese, called Prunolo Gentile (minimum 70%), with small additions of Canaiolo, Ciliegiolo, Colorino, Mammolo and optional white varieties. The standard bottling is aged for 2 years and Riserva is only released after 3 years. Quality has improved much in recent years with some truly fine wines to be found. Typical flavours are forest berries, violets and leather. The wines have more flesh on their bones than most Chianti with good texture and depth without the large frame and big tannins found in neighbouring Montalcino. Since the late 80’s a lighter version called Rosso di Montepulciano has been made which can be released after 6 months.

Montepulciano Cellar

Montepulciano Cellar

Many producers are using French oak barriques and blending in a portion of Cabernet Sauvignon and Merlot but some of the more traditional producers such as Le Bertille are achieving excellent quality with local varieties by taking fastidious care in their vineyards and using time honoured wine making techniques with ageing done in old, Slavonian oak casks.  The wines are stylish with richly textured flavours and good grip; lingering savoury complexity on the finish.

Rabbit Salad

Rabbit Salad

A superb meal prepared by Michelin chef, Donatella, of La Grotta with the Le Bertille wines showcased how well the local country flavours matched the wines. Rosso di Montepulciano 2009  with succulent cherry and red berry fruit contrasted deliciously with the Chicken Liver Crostini, while the Chianti Colli Senesi 2008 paid homage to the succulent rabbit salad flavoured with thyme ( aptly called time on the menu) and the Maltagliati, home made pasta with richly flavoured duck ragu was heaven with firmly structured Vino Nobile di Montepulciano 2007 & 2008.  An aromatic slow-cooked beef with porcini as well as the bitter chocolate terrine was well served by the full bodied IGT Toscana Rosso L’Attesa 2008. Looking at the profiles around the table, it could be those depicted on an Etruscan vase with slightly hooked noses, wide, up-slanting eyes and generous mouths made for love. We were received with such grace and generosity at a shared table.

Donatella explaining her Food

Donatella explaining her Food

My pick of producers: Contucci, Dei, Poliziano, Le Bertille, Notolla, Avignonesi, La Braccesca(Antinori) and Boscarelli.

Delicious Dessert

Delicious Dessert

Hungerian Tokaji -Time in a bottle

Mist in Kiraly

Mist in Kiraly

By royal decree the world’s first vineyard classification system was introduced here in 1730 with vineyards classified as first-growth, second-growth and third growth depending on the soil, exposure and potential to develop Botrytis Cineria. This was completed in 1772.

To conform to European Union norms since 2011, Hungarian wines are now grouped as “protected designation of origin”, “protected geographical designation of origin” and “without geographical designation of origin” categories.

A visit to Hungary will surprise the most adventurous gourmand and wine connoisseur. Arriving in Budapest, one is seduced by its beauty and slightly wistful elegance. The city spreads along the two shores of the mighty Danube’s silver-blue ribbon, meandering between Buda and Pest. Once called the “Paris of the East” events of the recent past did not entirely manage to suppress its raffish energy. The wide boulevards, exquisitely restored buildings and stylish restaurants leaves one with a sense that it is slowly emerging from a chrysalis and will soon display its full splendour again. Visitors flock to its famous thermal spas and the scenic surrounding country side which includes the ancient wine region of Tokaj-Hegyalja, best known for its ambrosial Tokaji Aszú, a sweet botrytised dessert wine.

FOOD AND CULTURE

For centuries eastern European countries have been pawns in the hands of larger empires: Roman, Austro-Hungarian, Ottoman and Russian. Countless armies have rampaged back and forth across the plains of Hungary, Poland, Slovakia and the Czech Republic with conquerors leaving their imprint on the wines, food and culture. Today Hungary is the place to be for good eating and drinking but remains mostly under-appreciated and unknown except for the awareness of paprika infused goulash-style soups or stews. Hungerians, or Magyars as they are known, originate from nomadic tribal horseman who arose in Central Russia. They are fiercely proud, with great vitality and an appetite for good living.

Traditionally meals are a ritual infused with love and great flavours. Local chefs and country cooks have preserved time honoured cooking methods and traditional dishes still forms the back bone of the cuisine. Heritage breeds of cattle, pigs and sheep are being resurrected and good fresh produce abound. A little known fact is that Hungary is the biggest Foie Gras producer in the world and much of it is exported to France. It is traditionally simply prepared to melt in the mouth perfection  – often served with fruit. Truffles have also re-emerged from the mid 1990’s and are of similar quality as those found in France and Italy.

There is a saying in Hungary that “Good coffee should be black like the devil, hot as hell and sweet like a kiss.” Their coffee is sensational! The coffee culture came to Budapest during the 150 year long Turkish rule and the era of Budapest’s grand old coffee houses defined social life from the late eighteen hundreds until 1940 with communism and socialism eventually erasing what was left. Many books, plays and journals were penned and edited at the small marble tables and although times have changed cafés still play an important role in the city’s social life. To experience the welcoming atmosphere of a by-gone era, pay a visit to the art nouveau Café New York or Centrál Kávéház, a coffee house which first opened in 1887. The building was nationalized in 1949 but beautifully restored now with a classy pre-war look in shades of soft green, orange, brass and gold.  One can imagine the famous Hungarian writer and gourmand, Gyula Krùdy penning one of his many novels or articles at one of the tables, capturing a scene, a dinner or a dish with poetic prose. He writings perfectly reflect the romance of early 20th-century Budapest and the magic of Hungarian food – he is sometimes refered to as “a Magyar-writing  Homer”.

One can eat a splendid two or three course lunch at the many étkezde. These are small eateries with reasonably priced menus changing daily. They typically serve soups, stews, fried, stuffed or roasted meats, fried cheese, pasta as well as a couple of desserts.  To soak up local colour and cuisine visit Ráday Etkezde or Kádár étkezde. Despite dishes often being heavily spiced with paprika, Hungarian food is not hot – hot paprika is used as a condiment at table – even at breakfast.

Tokaj Classic Aszu 6 Puttonyos

Tokaj Classic 6 Puttonyos Aszu

WINES

TOKAJ is the name of the town situated at the confluence of the Tisza and the Bodrog rivers, which gives its name to the region, also known as TOKAJ-HEGYALJA. TOKAJI is the adjective used to describe the wine as in “Tokaji aszú”. TOKAY is a different, but obsolete, spelling.

In a wine world dominated by Chardonnay, Cabernet Sauvignon and a few other varieties of French origin, it captures the imagination that Hungary has the vinous treasure of 140 indigenous wine grape varieties growing in 22 wine regions. White wines are often made from Ezerjó, which produces light, fresh wines. Furmint and Hárslevelu are the key components in Tokaji wines. The most famous red wine is Egri Bikavér, or “Bull’s Blood of Eger”, which comes from the Eger wine region in the north. It is always a blend anchored by the ancient Kadarka variety . Most of these varieties are completely unknown to wine consumers the world over despite their potential for producing quality wines.

In the north east of the country lies the famous fine wine region, Tokaj-Hegyalja, producing the renowned Tokaji Aszú (meaning dessicated in Hungerian). Reportedly the first botrytized sweet wines were made here in the 1600’s from these shriveled berries and the first might well have been an accident due to people delaying harvest as a result of hiding away from a threatening invasion. Thus when the Dutch landed in the Cape this glowing, amber liquid was already savoured at the tables of Europe’s crowned heads even though our own Constantia wines reach similar status later. Recognising its quality, 13% of the region was delimited into first-, second- and third growths in the eighteenth century by royal decree. Two world wars and nationalization, focused on quantity and not quality, took its toll.  After the fall of the Iron Curtain, foreign investors such as Vega Sicilia, British wine writer Hugh Johnson and others, helped recovery.

In 1995 The Tokaj Renaissance Association was founded to protect and promote the quality of their great growth vineyards and now consists of 20 wineries such as Szepsy, Oremus, Tokaj Classic, Dobogo, Alana and others. The area was declared a UNESCO World Heritage Site in 2002. The passion and dedication of the new generation of winemakers is not only breathing new life into the centuries old tradition, but also pushing boundries to accommodate modern consumers.  A range of wine styles, from bone-dry, through late-harvest, to the ambrosial Essencia as well as Tokaji Aszú at 3, 4, 5 or 6 Puttonyos is produced. Tokaji Szamorodni  – which means ‘as grown’ – is produced in years when too few berries with noble rot make berry selection uneconomical and the bunches are processed as harvested. Depending on the proportion of Aszú berries, these wines will be dry or sweet.

Vineyard Sites

Vineyard Sites

The vineyards are situated on the slopes of the Carpathain Mountains facing the flood plain and confluence of the Bodrog and Tisza rivers. They are planted on a series of small extinct volcanoes with resultant complex soils, which together with the aspect and climate, conspire to form a very special terroir. Autumn mists creep up from the plain and create ideal conditions for the little fungus, Botrytis Cinerea (noble rot) to infect the grapes. The juice is concentrated and sugar levels intensified by the unattractive looking fungus. The infected grapes are picked individually by hand and one person seldom picks more than about 12 kilogram a day, yielding approximately  800 to 1 000 bottles per hectare in a good year. This almost perverse selectivity is what makes both Tokaji and Sauterne the great wines they are.

uragya

The most important variety is the indigenous grape Furmint, with its build-to-last acidity. It is a late ripener and often hangs well into the second half of October with harvest sometimes extending into December.  It is prone to botrytis with an ability to develop high sugars while preserving high acidity and provides the cornerstone for sweet wine production while also making distinctive and characterful dry wines. The floral Hárslevelü plays a supporting role with the more aromatic and late-ripening Muscat blanc á petit grain (Yellow Muscatel) contributing discretionary punch.  Varieties such as Zéta, Kövérszolo and Kabar are also in production.

The wine making process is rather complicated with the Aszú berries put into a wooden hod called a putton for six to eight days this yields a highly concentrated juice, called Tokaji Essencia, an elixir prized by Tsars, Kings and Connoisseurs.  Each putton holds 25 kilograms which is kneaded into a paste once the precious Essencia has been removed. This is then added to a 140 liter cask, or gönc, of dry base wine. The sweetness of the wine depends on the number of puttonyos added to the base wine, hence the ranking seen on labels: 3 puttonyos will have at least 60 grams residual sugar per liter with 4, 5 and 6 puttonyos getting progressively sweeter at 90, 120 and 150 gms/l  respectively. Tokaji Aszú Essencia will have at least 180 grams per liter. This must not be confused with the rare Tokaji Essencia, which painstakingly drips out solely under the berries’ own weight and could have in excess of 800 gms/l. Fermentation of this nectar could take years to complete and might only attain 2 or 3% alcohol by volume – so technically not a wine but a restorative quintessence of the grape. The sweetness might sound excessive but the rapier-like acidity and high extract in these wines give them the back-bone and the tangy depth which defines Tokaji and makes it almost immortal.

Some of the new generation Tokajis are made more reductively (excluding air from the winemaking) which gives fresh, bright fruit although even these settle into autumnal richness with time. Tokaji Aszú wines are not necessarily about prisitine freshness, but have a deeper umami character. Descriptors such as apricots, honey, pears, quince, raisins, figs, orange marmalade, dried fruit and butterscotch are a futile attempt at pinning down the genie. Age adds the dimension of tea-leaves, madeira and tobacco with 18th and 19th Century bottles highly sought after collector’s items. After tasting the 1811, Michael Broadbent experienced British wine writer, gave it 6 out of five stars and remarked : “It is the only wine I have ever tasted which did not have a “finish”. It just went on and on.”

Mysterious magic happens in the subterranean, mold-covered cellar system, carved in the soft volcanic rock, where low temperature and high humidity encourage the unique microflora, Cellare Cladosporium, to grow. Barrels from the nearby Zemplén hills, with its tradition of cooperage are often used, adding another element of local identity. If a full barrel is put next to a clean wall it will soon be covered by white mould, which will turn grey with time and eventually black. This symbiotic relationship encourages the formation of aldehydes which in turn gives the wine a silky patina of deliciousness.

WINERIES

Young Szepsy with rock samples from the vineyards

Young Szepsy with rock samples from the vineyards

The village of Mád is surrounded by some of the best vineyards such as Szent Tamás (Saint Thomas), Nyúlászó (Hare-Hunter) and Király (King’s vineyard).  It is the base of István Szepsy, who is one of the most famous producers tracing his heritage in the region back to the 16th century. The dazzling quality of his wines, have brought collectors and success to his door and he has played an important role in the renaissance of the region. With his son, István Jr. they also make some outstanding dry wines.

Bottles maturing in the Dobogo Cellar

Bottles maturing in the Dobogo Cellar

Dobogó, which lies in the village of Tokaj,  literally means “clippity-clop,” the sound of the horsedrawn carts on cobblestones as they return from the vineyards. As I walked through their cellar with winemaker Attila Domokos, the back-lit bottles – each vintage maturing in its own alcove – cast a golden glow over the gloomy interior giving one a sense of timeless alchemy at work. Here I was privileged to taste their small range of outstanding wines including the somewhat modern ‘Mylitta’ which had 8 months in French and Hungerian oak. It is luscious and fleshy with tones of peaches and marmalade lifted by terrific acidity. I also tasted my first Essencia which made it clear that words cannot capture its spirit. It shoots through your senses in a sun-burst of flavour and lingers down the throat like honey-coated gold. At the end of the tasting my generous host proceeded to pour half a cup of Essencia over some blue cheese he had made and matured in Tokaji for 6 months!  The permeating, deep fragrance of red roses warmed in the morning sun mingled with the cool, earthy-creaminess of the blue cheese is a taste memory never to be forgotten.

Blue Cheese dressed with Essencia

Blue Cheese dressed with Essencia

Oremus, in Tolcsva, is owned by the famous Spanish winery,Vega Secilia and has an extensive cellar system with some parts dating back to the 1300s and it is stocked with thousands of bottles of aszú, dating back to 1856.  Their wines are excellent and the hot foie gras appetizer sauteed in Tokaji aszú and served with dried fruit enjoyed at the French-Hungerian restaurant, Őskaján in Tolcsva, perfected the experience.

A recent visit from Phyllis and András Bruhács brought a taste of Tokaj to the Cape. Their Tokaj Classic Winery is in the village of Mád and is owned by a partnership of András and two fellow musicians. Their vineyards are in the premier locations such as Király Hegy (King’s Mountain) and the wines garner many awards and accolades such as winning 6 consecutive gold medals at the International Wine and Spirits Competition in London for their 2000 through 2006 vintages. At a recent tasting, put together by well-respected Steven Spurrier for VINCE Magazine in Budapest, eleven Hungerian wines competed against eleven wines of the world. The “score” was 8 to 3 in favor of Hungary.  Tokaj Classic Aszú 6 puttonyos 2006 not only received the nomination for the Hungarian “ National Eleven”, but attained the highest score of all twenty-two participating wines.

HOW TO ENJOY IT

Tokaji Aszú is best consumed at temperatures between 11 and 14 °C. When served warmer the flavours might appear less fresh. A Szamorodni can be served slightly cooler than an Aszú. Once opened, it will keep for several weeks in a refrigerator.  Good food matches are fruit salad or fruit tarts, a hot crottin or goat cheese soufflés . An Aszú of 5 puttonyos is perfectly poised to accompany foie gras, but also combines beautifully with cheeses like Stilton and Roquefort. These wines are perfect for desserts with the provision that the sweetness of the wine is equal or greater than that of the dish. Cream based dessert such as crème caramel and crème brulée are classic matches.

Folklore has it that a fairy lost her lover over the rim of a volcano and everywhere her tears fell the land became fertile and vines sprouted, bearing fruit to create this legendary liquid to lift the spirits and benefit mankind – it certainly succeeds.

Grape Harvest

Grape Harvest

Hod 20 - 25kg original puttonyos measure

Hod 20 – 25kg original puttonyos measure

Almost Ready to Harvest

Almost Ready to Harvest

TASTING NOTES

Tokaj Classic 2005 Late Harvest  Alc: 13,5%   RS: 102,5gr/l   Acidity: 7,1gr/l   Euro 6,50

Light yellow/gold colour; clean, fresh apple and citrus aromatics; a touch of honey and fresh forest mushrooms coming through as it gradually gains complexity;  medium-bodied, with some minerality  and fresh acidity adding backbone and balance to honeyed almond flavours.

Tokaj Classic 2007 3 Puttonyos  Aszú             Alc: 11,5%      RS 86gms/l    Acidity  7,9gms/l

Luminous lemony gold; clean, youthful bouquet with touches of orange blossom and clove, slightly grapey; full bodied with good lime marmalade botrytis; a bite of acidity and a clean finish.

Tokaj Classic 2008 5 Puttonyos Aszú      Alc: 11%    RS  140 gms/l     Acidity: 7,9gms/l    Euro 19

Clear bright golden amber; clean and complex nose with honeyed peaches and a waxy apple quality, fragrant floral hints. Sweet and full bodied with luscious marmalade richness and a good spine of acidity; appetizing lemon curd tang on the finish.

Tokaj Classic 1999 6 Puttonyos Aszú    Alc: 11%    RS 180gms/l    Acidity: 11,8gms/l  Euro 27/GBP75

Deep golden amber with invigorating nose of barley sugar/botrytis, sweet with unctuous dried apricot, toasted walnuts and butterscotch flavours; long and complex with roasted coffee smokiness, tangerine/orange marmalade richness and energizing, focused acidity carrying the lasting finish; very fine and stylish

Tokaj Classic 1998 Aszú-Essencia    Alc: 9,5%    RS 280gms/l   Acidity:10,8 gms/l  Euro 62 /GBP135

Less than five hundred bottles made of this finest quality Tokaji; it has a luminous amber glow; with this sugar content it could be a 10 Puttonyos! Viscous, rich and silky sweet with candied peaches, dried apricots and slow-baked quince unfolding slowly; pierced with rapier-sharp acidity on a finish redolent with roasted nuts and ginger biscuits. Sensasional and vivid.

Dobogo Cellar Master - Attila Domokos

Dobogo Cellar Master – Attila Domokos

Facts and figures:

Wine growing area: 5967 ha

Average property size:  0.57 ha/property

Villages belonging to the region: 28

Tokaj as a proportion of overall Hungarian vineyard area: 6.3%

Number of registered producers: 14 575

Number of wineries: 588

Number of wineries producing the full range of Tokaj wines (aszús, etc.): 48

Cabernet Franc – a Horse of a different Colour

001

Chateau Cheval Blanc 2005 – St-Emilion 1st Grand Cru Classe ”A”

A recent tasting combined 10 vintages, 2001 to 2010, of South African Cabernet Franc from Raats Cellars and a selection of eleven Cabernet Francs from all over the world, which included the Cheval Blanc 2005.  Prices ranged from R100 for the Raats Dolomite Cabernet Franc to about R6,000 for the Cheval Blanc which is considered to be one of the top recent vintages from this iconic property. There were wines from the Loire – Chinon and Bourgueil, California and South Africa. I was pleasantly surprised by the excellent examples from South Africa, because it is a difficult varietal, not only in the vineyard but also in the sales room. Consumers hear Cabernet and often do not understand that Cabernet Franc has great finesse with a perfumed, lacy quality which belies its staying power. DNA evidence show that Cabernet Franc crossed with Sauvignon Blanc produced Cabernet Sauvignon which can have very dense tannins and make big, masculine wines. Sharing their first name often bring about misunderstanding of what to expect from the perfect glass of Cabernet Franc.

Cabernet Franc ripens earlier than Cabernet Sauvignon and therefore is more suited to vineyards situated in far northerly regions where the latter seldom ripens. It is a demanding mistress in the vineyard but certainly makes up for it when treated correctly. It needs about 300 man hours of love and care as opposed to a Cabernet Sauvignon or Merlot that would need 100 man hours to produce similar quality. It buds unevenly and over-cropping occurs easily, producing weedy, thin wines.

Cabernet Franc ready to be picked

Cabernet Franc ready to be picked

cab franc grape

Cabernet Franc Bunch

005The Raats wines showed class and consistency with my favourites, the 2004 and 2009, elegantly balanced. The 2001 was very much alive and the 2010 still an infant with spicy blackberry fruit and underlying  minerality. I quote Bruwer Raats who says:

“If Cabernet Sauvignon is a broad sword, then Cabernet Franc is a rapier.”

Domaine Couly-Dutheil in Chinon makes a superb example, called Clos de l’Echo.  This vineyard lies on calcareous clay soil and is the stuff of legend. The walled vineyard and castle was named for the echo sent back by the castle walls. The great French satirist Francois Rabelais and his family once owned the vineyard. The Couly-Dutheil family bought it in 1952 and it was re-planted the following year. I have been privileged to enjoy many bottles and the wine is very fine, complex, structured, and matures with grace for many years. It usually combines beautiful fruit concentration with dark chocolate, liquorice and leather wrapped in firm, smooth tannins. Sadly the example we had was not in good condition.

When nature and man combine its best efforts something sublime happens which illustrates greatness, that indefinable attribute called class and ultimately pleasure. The symphony of excellent terroir matched with perfectly chosen grape varieties guided by a sensitive concert master delivers much more than the sum of its parts.

The Saint Emilion property, Cheval Blanc, came into its own as France emerged from the devastating phylloxera plague towards the end of the nineteenth century. Cheval Blanc escaped unscathed and started building a reputation. It is one of only four Premier Grand Cru Classé ‘A‘ in St.-Emilion, together with Chateau Angélus, Ausone and Pavie. The owners since 1998, Bernard Arnault and Baron Frere, have maintained the quality and status and invested in a state of the art cellar which was opened in 2011.

This ultramodern $18.5 million cellar is chic but functional, environmentally sensitive and low-tech with no glitz or glamour in sight and captivates the spirit of Cheval Blanc. It was designed by architect, Christian de Portzamparc. The cellar creates the perfect place for the selective, one plot one vat, approach used by the Cheval Blanc team under the leadership of the revered Pierre Lurton, who has been there for more than two decades.  This allows all the elements and characteristics of each plot—gravel, clay, sand, Cabernet Franc, Merlot, different clones and rootstocks to express themselves before the ultimate art of blending combines them into the best wine they can be.

The wine is a blend of 50% each Cabernet Franc and Merlot (which could differ slightly vintage to vintage) and is known for its faultless focus and expression of purity and precision. It was its beauty and elegance rather than power which impressed about the 2005. The nose was initially quite ethereal and teased gently with blackberry fruit and violets, then built up layers of texture and flavour on a base of densely woven tannins which was pure silken luxury. It seduces rather than shouts and has the harmony and poise to last another 25 or more years for drinking perfection.

There are few things in life as captivating as a great line-up of wines and the wonderful thing about it is that it is ever-changing and thus ever-challenging and fascinating.

CABERNET FRANC WINES TASTED

  1. Hillcrest Estate Cabernet Franc 2011 – Durbanville, South Africa
  2. Raats Dolomite Cabernet Franc 2011 – Stellenbosch, South Africa
  3. Frederic Mabileau Racines 2009 Bourgueil – Loire, France
  4. Chinon Le Logis de la Bouchardière 2007 – Loire, France
  5. Hermanuspietersfontein Swartskaap 2009 – South Africa
  6. Couly-Dutheil Clos de L’Echo Chinon 2005 – Loire, France
  7. Buitenverwachting Cabernet Franc 2007 – Constantia, South Africa
  8. Château Cheval Blanc 2005 (St-Émilion) – St.-Emilion, France
  9. Duckhorn Vineyards Cabernet Franc Napa Valley 2009 – California
  10. Oldenburg Vineyards Cabernet Franc 2009  – Stellenbosch, South Africa
  11. Duckhorn Vineyards Patzimaro Vineyard Cabernet Franc Napa Valley 2008 – California
  12. to 21. Vintages 2001 – 2010 of Raats Cabernet Franc.